Always,The northern grassland is a soil breed in the northern hunting civilization。In the long history of thousands of years,Shan Rong、Ghost Fang、Huns、Xianbei、Khitan、Mongolia and other northern hunting peoples are here to breed,Continue to inherit the grassland civilization,Finally integrated into the long history of Chinese civilization,Become an important part of it。In the northern grassland hunting civilization,Rock painting、mural becomes the most intuitive image of understanding the grassland hunting civilization。In Rock painting、The themes of traveling and traveling in the murals can best represent the characteristics of the northern hunting national characteristics,Is a typical typical of hunting civilization。Discovered with early Yin Mountain Rock paintings,The historical evolution and development path of the subject of huntering and travel related themes in ancient northern northern hunters is very clear。Especially for the past century, a large number of tomb murals have been found in the tomb of Liaoning Khitan,It becomes an important video information for us to understand the Liaonica grassland hunting civilized social life。
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In the northern grassland,Rock painting and tomb murals are the most precious cultural and artistic heritage left by the northern hunting people,Is the leap in the northern hunting civilization。For thousands of years,Due to the living customs of the nation -hunting nation in the northern grassland、Survival space has not changed in ancient times,The mother question of traveling and traveling has been repeatedly described by the northern hunter nations,The representative of becoming a symbol of the culture and art symbol bet365 best casino games of the northern grassland hunting。Liaonicadan's tomb murals found a large number of tomb murals related to hunting and travel,These murals are authentic、narrative vividly reflects the social life of the Khitan thousands of years ago。
To Liao Jianguo,Traffic blending with the Han nation frequently,Cemetery mural, the tomb decoration is favored by the Khitan nobles。So,Cemetery murals began to prevail in the northern grassland,The main decoration of becoming the tomb of the Khitan nobles。Final,Ancient Chinese tomb murals are extremely prosperous in the northern grassland。Liao Kodan's tomb murals originated from the Tang Dynasty,But it did not follow the vassal of its culture and followed it.,but deeply combined with its own grassland hunting cultural characteristics,Developed the art of tomb mural art that is very different from the cultural style of the Central Plains。Discovery through comparative research,Liaonicadan's tomb murals, such as hunting and travel, the most typical nature,A large number of unearthed and high quality,With distinctive narrative,It is the social appearance of Liaonic Khitan for more than 200 years、Social life and national style the most authentic、The most intuitive manifestation。
Nomadic hunting is the basic lifestyle bet365 best casino games of the northern grassland nation for thousands of years.,It is also the choice of the most suitable for survival and protecting the grassland ecological environment。For the northern hunting nation,Grassland is home,Only when people walk with animals to protect the grassland、The best way to survive for a long time。Therefore,Grassland culture is a distinctive feature、Rich connotation、Cultural form with extensive influence,is one of the most important cultural forms of human society so far。Looking at the historical development trajectory of the art modeling art in the north,It has always been created around the grassland life,I never leave the grassland、bet365 Play online games saddle horse、The eternal creative mother question for travel and travel。The discovery of the murals of the Khitan tomb is a frame of image narrative of the northern grassland hunting life,vividly show the social life of the northern hunting nation thousands of years ago。
Basic cultural attributes and folk customs through the northern grassland hunting nation、Social Life Discussion of Liaonaldan Tombs Macration,can be found,Liao Kodan's tomb murals and Han、Tang and Song have very obvious styles and subject matter differences,With deep cultural imprint and distinctive national and regional cultural characteristics。You can see from the murals of the Liaonica tomb of Liaoning Liaoning,This distinctive national characteristics are very different in terms of subject matter and expression methods,Han Han Han、The murals of the Tang tomb showing different appearance features。For the large number of unearthed in the murals of the Liaonaldan tomb room,Has a very typical northern grassland hunting national characteristics,It can represent the characteristics of hunting cultural characteristics of the northern hunting nation。Cemetery murals not only provide us with intuitive、Visual Khitan Life Image,Also understand the social life of the Khitan people through the cemetery murals、Cultural life and view of life and death provides rich image historical materials。
The cultural significance of the mural traveler of the tomb of Liaoning Katan
For the past century,Liao Kodan's tomb murals were found in large quantities,It has a very important cultural significance for the northern hunting civilization that has been sealed for thousands of years。Studies on a large amount of research on huntering and traveling tomb murals,Frequent emergence of this type of subject matter is not a reference between the painter and the spread of the pink notebook,Instead, there is a deep northern hunting civilization accumulation,Is the regional space of its life、The hunting living customs accumulated Bet365 app download for thousands of years、Decided by the aesthetics of the northern hunting nation。
Discovery through image studies,The social and political and economic system of the Liao Dynasty、Traveling Cultural Life is a prerequisite for a large number of murals in hunting and traveling tombs。Liao Kudan lives in the northern grassland,backward culture and art,Funeral form is still in the original heavenly burial、cremation stage,Social form is in a relatively primitive tribal alliance stage。It is difficult to have such a complicated funeral and tomb decoration in this social form,There is no soil in the murals of the tomb。In this case,The in -depth exchanges and exchanges between the Khitan and the Han people of the Tang Dynasty and the Han Dynasty in the Tang Dynasty、Cultural communication and learning are particularly important。The rulers of the Khitan created the "one country, two governance" system of north -south officials,Not only absorbing and learning the advanced cultural technology of the Han nation,It also protects the characteristics and customs of the hunting people,Greatly promoted the northern national culture and art、progress of the economic system。Liao Kodan is good at learning the concept of advanced culture and funerals of the Han nationality,Abandoned traditional burial、cremation,and gradually accepted the concept of burial。Liao Kodan established nearly two hundred years,From the scroll paintings of the Liao Dynasty painter, you can see that the level of painting in the Liao Dynasty is not lost in the Tang and Song dynasties。but,With the frequent wartime war in the northern grassland,The culture and art of Liao Khitan also disappeared with the demise of the Liao Dynasty,It is hard to see the true capacity afterwards。If it was not a dusty underground cemetery mural, it was found,It is also difficult to have a comprehensive understanding of the culture and art of Liaoning Khitan。
early 20th century,A large number of murals Bet365 app download of the murals of Liao Kodan tomb rooms unveiled the mysterious veil of Liaoning Gudan art。Especially the strong characteristics of the northern hunting people、A typical appearance of the murals with typical hunting and traveling tombs,shocked the academic world。The simple kind of murals of the Khitan tomb、Rough、Freedom、The bold artistic style and the typical character shape come with the simple atmosphere bet365 best casino games of the northern grassland。Such painting art with such national characteristics breaks the fixed fixed of the Han Dynasty in the Central Plains、Rigid tomb decoration mode,It's like a new wind blows through the grassland,enriched the history of the Chinese national art。This tomb mural with strong northern hunting national characteristics makes the Chinese national art more diverse。
The social significance of the murals of the tomb of Liaonican
All things in the universe follow the processes of life evolution from birth to death。The emotions that people show when they face death are far beyond other species。How to spend the fear of death to the other side of the death,Make death no longer fear; how to keep the rich people's life last forever,The ultimate proposition that the ancients have been thinking about。So,China's ancestors used the expectations for the future to create and decorate the tombs。So,Most of the strange treasures of the world are brought to the tomb。In order to continue the life of the world,murals have become the best way to satisfy my illusion,So the life of indulgent hunting during his lifetime、Unreal Tianxiang Four Gods are decorated in the tomb by the painter through vivid images。Cemetery murals This method of continuing real life in the form of images is quickly recognized by the Khitan nobles,Cemetery murals have become popular in the northern grasslands。It's just that the murals of the Liaonica tomb room reflect the pommel hippocampus hunting that is closely related to its grassland Bet365 lotto review life、Daily life returning from travel,It is the continuation of the grassland cultural life with distinctive characteristics。
Discovery of the murals of a large number of saddling horses in Liaonacan,The result of the interaction and interaction of the Han nation and the northern hunting people,Is the result of the death record of the Liaonic Khitan nation。Although there are many war in the northern grassland,Cultural monuments destroyed,But the grassland culture with distinctive hunting characteristics is well preserved in the tomb,Become a social look of the northern hunting nation in the future、The most intuitive image of the local customs。This may be the reason why there are few in other countries in the world.。A large number of murals of the tomb of Liaoning Dadan,Is the result of thick burial,It is precisely because the nobles of Liaoning Dadan follow the imitation of the Central Plains、Thick burial into wind,Only allowed us to use a representative tomb mural after a thousand years,In -depth understanding of the social life of Liaoning Katan nomads and hunting thousands of years ago and the northern hunting civilization。The unearthed by the murals of this type of subject matter has extremely important social significance。
The cemetery mural is a door that opens the historical mystery。The essential attributes of the murals of the cemetery make the deceased the only admirer,Not showing people,Its authenticity is beyond doubt。Because artistic creation has the limitations of the times,Therefore。Liao Khitan nation rises in the northern grassland,It is a representative of the northern hunting nation。Due to the sparseness of historical materials、The fusion of the nation,Study Liaonicadan's social style、History and culture is facing great difficulties。but,Discovery with a large number of typical hunting characteristics of the tomb murals after a thousand years,Become the most powerful auxiliary historical material for studying the Liaonacon society and the northern hunting civilization。We believe,With the deepening of Bet365 lotto review archeology,More discovery of tomb art with hunting characteristics,The wonderful northern hunting civilization will be more clearly displayed in front of the world。
(Author is an associate professor at the Academy of Fine Arts of Hulunbuir College; Professor of the Academy of Fine Arts of Northeast Normal University)
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