Chinese Modern Image theory Research in the early 20th century，Preliminary forming in the 1930s。Start scattered inquiry from the problems involved in the "imagery" in the early days，By the 1930s, a conscious modern discipline consciousness settled the theory of "imagery"，Chinese Modern Image theory Research in the first half of the 20th century from scratch，Its thinking vision and specific practice are continuously deepened in unremitting exploration。

Facing the decline of Chinese traditional literature and art in modern context，and the strong influence of modern literature and art on China on China，The Chinese literary and art circles in the early 20th century shrouded a concept that realized the modernity of literary and artistic modernity as "closer to the West" and "farewell to Chinese traditions"。Western Image School inspired and activated Chinese modern imagery theory research，But its structural defects gradually revealed。Western imagery school uses the construction of imagery as a poetic creation experiment，Lack of global views based on poetry theory and aesthetics。Coupled with the pursuit of the image of the Western poet，Often adopts the rhythm of over -jumping and an overly obscure symbol，Disorders of ideas to a certain extent and the broken poetry。In view of this，Chinese scholars actively draw on the Western bet365 best casino games imagery school while trying to reflect on the other party's gains and losses from the perspective of China，Among them, Xu Chi、Sun Xizhen、Tang Yan and others are more representative。

Xu Chi combined with his creative experience to explore the theory of imagery and poetics，Quoting Western Image School，I hope to use this to correct the lack of charm caused by excessive pursuit of freedom。In this process，He began to pay attention to the defects of the creative concept of Western imagery。On the one hand, he appreciates the image school "new sound，New color，New olfactory，New feelings，New flavor，Poems "，On the other hand, it is also pursuing this over -pursuit of novelty monsters、Obligatory and dark expression holding attitude。Different from Image Poets such as Pound，Xu Chi's poetic creation specially selected those full colors、The image is clear、Charm flow long，Realistic images with significant Chinese colors to build a poetic realm，Ru Qian Xia's eyebrow moon、Bamboo fence in the hometown、Snowflakes and rapeseeds on Jiangnan fields。In his opinion，"Free Poetry liberated the form of poetry，and the image poem liberated the content of the poem "，It is the appearance of modern image，Poetic display can be truly profound and thorough。

Sun Xizhen's "completely ignored politics，Creative tendency and one -sided pursuit of the concept of art and the meaning of life of life。He believes that the decline of the Western imagery is alienated with its real life、Excessive pursuit of novel error value orientation related。Bet365 lotto review Because of the attention of fashionable innovation in the sense of rhetoric，Lack of deep contact with social historical consciousness，The creation and theoretical construction of imagery faction often only stays at the level of formal innovation，Not deep、Comprehensively promoting poetic creation and theoretical changes，Lack of successive influence。As a result, it is impossible to obtain the general recognition of the academic and the public，It is also criticized as "the new tricks turned by some gentlemen's small citizens"。

Tang Yan's article "On the Image" in 1948，Also try to surpass the narrow vision of "image" with rhetoric，The spiritual resources of thinking from Chinese classics。He quoted Liu Ye's "Wenxin Eagle Dragon" "Bixing" section to support his theoretical discussion of the image category。His "poet Bi Xing，Touching Round Blot。Although Hu Yue，He liver and gallbladder "as an example，Proposal "It is the heart of the heart、The "Yuanlian" of My Realm "makes the image the image in the heart of the subject。This is a kind of "Super Elephant，Aesthetic "Yuanlian"，"Things" and "I" go into a comprehensive through the image、Three -dimensional viewing situation。Tang Yan particularly emphasized，Image is not "a pile of appearance or a vague associated medium"，It is "a manifestation of instinct and life impact when jumping from the abyss of the subconscious"。In Tang Yan's theory，Comprehensive、The three -dimensional "round view" is regarded as a state of image view，This obviously Bet365 lotto review has a quality difference with the West that "image" is regarded as "image" (image)。

As mentioned earlier，"Image" (Image "talked about in the Western academic community，The essence refers to "Interested Image"，Although its connotation has an intersection with the "image" in Chinese aesthetics，But in the strict sense, it is not the same category。Chinese traditional "image" emphasizes not only the shallow "meaningful image"，It also includes the deep reveal of "the existence of poetry in the world"，The cultural background and belief basis hidden behind it。and this aesthetic realm，It is the core content of China's aesthetic consciousness。So Zhu Guangqian、Zong Baihua、Liang Zongxi and other scholars here，Aesthetic theory that has been consciously followed and started to build imagery，Try to gradually improve the "image" from the category of poetry to the category of aesthetics，Building modern aesthetics theory with this。

The "image" concept used by Zhu Guangqian，It mainly follows the connotation of the category of Western aesthetics，refers to "image" or "appearance"。But he also felt the subtle difference between the western image and the Chinese image category in this process，So try to start from Chinese local experience，The concept of adding accompaniment for imagery -"Love"。He proposed，"The realm of each poem must have two elements:" FEELING) and ‘Image '(Image)。‘Fun’ is referred to as ‘Love’，‘Image’ is ‘Shan’ ”。He used this to break the thinking limitations of the Western often solitary bet365 Play online games discussion image ("picture scene" and "appearance")，Pointing out the inherent meaning of the image requires emotion to open、Fusion and sublimation。It is the intervention of "love"，Specific imagery can then upgrade to the artistic conception with "internal life"。He also proposed the proposition of "image world"，The so -called "world of beauty is purely image world，Be more independent and independent "。His so -called "image world"，In fact, it is the aesthetic world that transcends the realistic limitations。Zhu Guang has made an important contribution to the foundation of modern image aesthetics during this period，The image aesthetics he explained has a profound impact on later modern imagery research。

Like Wang Guowei in the early years，Liang Zongxi in the 1930s、Zong Baihua and others also try to discuss image aesthetics from the perspective of realm。Liang Zongxi's article "Symbolism" published in 1934 proposed，"Relieving" refers to "the emotion and scene of a poem，惝，merged into a piece "。In 1935, he published "Talking Poems" and said: "Just as the direction of the wind and the static is shaken by the plants or the clouds of the clouds, it is revealed，Based on the soul can also be shaped by foreign objects to reveal and complete itself: the most faint and faint spiritual realm should be expressed by the most vivid and specific image。"Liang Zongji from the aesthetic level，To understand the specific state of "image" in "image" in more and more meticulously。

Zong Baihua tried to quote the aesthetic consciousness of time and space in German Bet365 lotto review aesthetics，Re -discover the time and space in traditional Chinese art and its inner "rhythm of life"。His aesthetic thought plays an important role in promoting Chinese aesthetic research，At the same time, further push modern image aesthetics to peak。In 1934, he emphasized in the article "Talking about the" Value Structure of Art ""，It is "the deepest significance and realm of the universe life" so that the aesthetic appreciation activity is deeper to rely on。1936，He proposed in the article "On the origin and foundation of the Chinese and Western Painting Law": "The lonely realm can be woven into an inner self -sufficient state，Small universe without its own meaning without waiting outside，Enlightenment to the deeper layer of real life of the universe。"" Through this series of discussions，Zong Baihua re -explained in modern aesthetic discourse in the field of "vivid rhyme" and "heaven and man unite"、Vivid Chinese traditional time and space view，To promote traditional images、Modern conversion in the mood category has made important contributions。

To sum up，Whether it is Liang Zongyu、Zhu Guangqian、Zong Baihua，Still Tang Yan or other scholars，Chinese scholars in the 20th century insist on the Chinese position when building modern imagery theory，Try to activate and release the potential of Chinese traditional image aesthetics，and systematically explain it under the modern discipline system，Finally, it created a new academic situation worthy of the times with solid theoretical results。

(This article is the Bet365 app download 2019 National Social Science Fund project "New Century Poetry's Repequet of Classical Poetry Tradition" (19BZW122) phased results)

(Author Unit: School of Fine Arts and Design of Yangzhou University)