The introduction of modern film theory in the 1980s and its reflection
April 27, 2022 08:26 Source: "Chinese Social Sciences" April 27, 2022 Total 2396 Author: Zhou Zhenghan

Step into the new period,In the context of the era of reform and opening up and modernization,my country's film industry has begun to translate the Western Xue East Graduation process of translating Western modern film theory。That time,Modern Film Theory is mainly based on the two paths of newspapers and magazine translations and seminars。For example,From 1984 to 1988, a five -stage summer international film lecture class organized by American scholars as the main lecturer,and "World Film", "Contemporary Film", "Journal of Beijing Film Academy" and other publications.,It has a profound impact on Chinese contemporary film research。The 1980s,The introduction of Western film theory opened the international vision of the theory for my country,Bring more fresh film research and criticism methods。But at the same time, it is necessary,The influx of modern theoretical discourse,What are the consequences that maybe it is still worth reflecting on today?。

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The first consequences,It is the misunderstanding of modern theory,and the charm of Western theoretical discourse based on this basis。The 1980s,The European Film Theory through an Bet365 app download intermediary of an American filmmaker has experienced twists and turns theoretical travel,Add information loss in the translation process,Makes Chinese people not know enough about modern film theory,More like a disconnection and residual acceptance。

At the same time,The modern theoretical discourse that was originally related to Europe and the United States, especially the history of Europe and the United States, was transplanted to China in the new era.,It is full of misunderstandings and misuses of various theories。For example,At that time, the modern film theory taught by American professors in the summer international film lecture class,Almost all of them are European modern film theory with significant left -wing critical colors。Touring,This is due to the rise of American film research in American education institutions,It has a direct relationship with the European theory in the 1970s.。Of course,When domestic scholars start misuse and misuse of these theories,It may also mean a creative use of the theoretical discourse。The closely related to it is,longing for modernization/modernism,or the charm of the modern film theory itself,As a result, domestic scholars are filled with a kind of view of Western theoretical discourse、The impulse of sacredness of Western theory words。

  The theoretical dislocation application

Second consequences,is the dislocation application bet365 live casino games of Western modern theory。For a long time,Chinese film research and even humanistic discipline research lacks abstract speculative traditions,Film Theory and criticism have significant practical characteristics,The theoretical and creation always maintains a close interactive relationship。At that time, the film industry practitioners rushed to modern theory words,Not just a consciousness of the theory,And more that I look forward to using theory to guide the film creation practice at that time。The intimate relationship between this theory and creation,It is very different from the European and American film industry。For example,At that time, the curator of the University of California Film Archives, the director of the California Film Study Museum, who had participated in the lecture class at the time,I talked about the different relationships between the theoretical and creation of film theories and creation in China and the United States at that time: "In the United States,Creation and criticism has a clear boundary,It seems,It is not so there。When we talk to filmmakers in Shanghai Film Studio,Some people say ‘we are convinced,The future of Chinese movies is to rely on reviews and theories。'This surprises me。We had to point out,It is difficult to imagine that such a discussion will be held at Fox Film Company。”

The desire to try to guide practice through bet365 Play online games theoretical guidance,As a result, the creators at that time are convinced that their pursuit of modernization is expected to get some answers in modern theory words。Take the International Summer Film Study Class as an example,Some students at that time became interested in the concept of "modernism",Try to explore how modernism is used in movies。The first problem they care about is how to make the movie more modern,or how to express modernity in the movie。At the time,How much American movie represents the modernity of the movie,Therefore, when the film industry pursues modernization,Study from American Movies has become a matter of course。This kind of "modernism" at the aesthetic level is confused with the "modernization" of the socio -economic level.,It is also a universal symptom of other literary and artistic fields in the new era。

One of the consequences caused by this is,Creators intend to use the school's modern film theory and criticism methods to film creation,It caused a wonderful dislocation effect。In the mid -to -late 1980s,There is a number of art exploration films injecting some deliberate design in the creation、Symbols that are full of interpretation space, etc.,The reason is that some creators are mistaken for modern film theories that have not had much relationship with creative practice as a creative theory,and implement it into the film creation。For this bet365 live casino games phenomenon,Scholar Ni Zhen has reflected in the book "Reform and Chinese Films" published in the 1990s: "They regard it as a creative theory to accept,It is even implemented in the creative process,deliberately designing hard in the work、Obst the metaphor、Symbol symbol,The result also made the art films of those years embarked on a partial way,The smooth narrative and wonderful performance of the film are destroyed,The screen is full of obscure light and shadow and symbols composed of styling,and the actors' faces of Zhang Muran。"" Modern film theory on the dislocation of film creation,reflected the traditional/modern in our country at that time、China/Western seams and special contexts with intimate interaction and theoretical interaction。

  Special routes of theory and creation

After a short period of time, after a short occurrence,Modern film theory through American scholars' intermediaries to the third influence of Chinese films,It is the theoretical research and creative practice inevitably embark on the road of differentiation。

On the one hand,Film Theory and criticism becomes more and more independent disciplines,Abstract Film Studies are becoming increasingly prevalent,The relationship between film theory and film creation is gradually drifting。The intentional thing is,Film Studies This is the academic field that is still marginalized to a certain extent in Bet365 app download the research of humanities and social sciences in my country,However, in the 1980s, it was once earlier than other humanities and social sciences.,This brings a "superiority" of "Gongfu first" to the film science people。Under the intermediary of American film research,At that time, many film researchers embarked on the road of modern Western theoretical translation,"Visual pleasure and narrative movies", "Ideology and ideology State Machines", etc., which are not limited to the field of film research, also first broadcast out of the film field。But the consequences are the consequences of,The speculation trend of film research is becoming more and more significant。

On the other hand,Film creation is under the influence of modern film industry such as Hollywood model,Action is becoming more and more commercial、Types、Inserture of entertainment。The clear division of creation and theory in the American film scene,It seems to appear in China in a mirroring way。and the short -term intimate relationship between the theoretical and creation that appeared in the 1980s,After all, it becomes a distant historical response。

  (Author Unit: School of Art at Peking University)

Editor in charge: Chen Jing
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