After Liu Ye officially gave the "image" to aesthetic value，It has gradually become the core category of criticism of Chinese literary theory; and in the history of Western literary theory，Since the imitation theory of Plato and the lofty imagery of Langgius, it is proposed，The image has always existed in western poetics in different forms。

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From the perspective of the perfectness of poetic theory，Image theory although the origin of Chinese and Western has different origins，But the development model of its theory is continuously deepened。Chinese and Western scholars have noticed that the image is subjective internal and objective natural fusion in the process of explanation of imagery，Their understanding of the image source of the image is the same。

But，Due to the influence of various factors，Image theory also shows the difference between the naked eye in the historical development of Chinese and Western。For example，China’s image and poetics pay attention to focusing from the virtual place，Pay attention to the infinite charm of "meaning" and "elephant"，and Western imagery pay more attention to the expression of the form。The "shape" here includes the "shape" of the material，Also cover the "shape" of spiritual spirit。Westerners pursue "beauty"，Always resort to a object of "beauty": the object can be a tangible circle，Can be a golden segmentation，It can also be an invisible spirit God。China's imagery theory is the expression of the object of "beauty" in the western imagery.。Another，The "shape" of Western emphasis on the image also shows their clarity、Precise pursuit，The definition of the bet365 best casino games image compared to the traditional image theory of Chinese tradition，It looks clearer and rational。

　　Aesthetic fit 

Chinese poetry was introduced into the American literary world in the early 20th century，Although the phenomenon of Chinese poems and English translations is occasional before that，But due to the impact of translation techniques and literary environment，The choice of translation theme is very narrow。The Book of Songs was the most common material at that time，But the translators are repeatedly translated，It is inevitable to lose fun。Whether it is the poet's topic tendency and the environment of literary criticism, neither is not conducive to the introduction of the system of Chinese poetry。

The formal communication between Western imagery and Chinese poetics originated from the publishing of Ezra Pound "Huaxia Collection" in 1915，Chinese classical poetry quickly swept American poetry in the years after the publication，New poem creation with Chinese elements has set off a wave。American imagery poetry draws nutrients from Chinese classical poetry，Forms a poetic trend with the characteristics of the times，The new American poem that combines Chinese elements has been introduced by Chinese scholars，The role of ideological enlightenment on a large number of Chinese poets。Chinese scholars in the early 20th century are eager to learn from Western advanced science、Culture、System and thought，May 4th New Culture Movement blows Western culture into China，Try to show modern Chinese people's enlightenment thoughts。So far，Chinese traditional culture has completed travel in the West，Western literary thoughts that fused Chinese elements were introduced back to China，In the first half of the 20th century, China ’s 100 wastes caused a large number of scholars to study and imitate。

The exquisite images and dynamic aesthetics bet365 best casino games contained in Chinese classical poetry shocked the Western literary circles，Greatly promoted the development and change of Western imagingism，It has also promoted the rise and development of Chinese poetry translation; and the West's respect for Chinese classical literature，It also prompts West to face Chinese literature、Re -examine China，This changes the West's view of China in the subtle way，This is conducive to shaping the positive Chinese image。Chinese classical poetry promotes and enriches the development of imageism，The propaganda of Western Imageism poets also contributed to the spread of Chinese literature in the West。

Chinese classical poetry uses its unique image and deep meaning，Build a unique aesthetic network with Chinese civilization。In the sense of cultural communication，Chinese classical poetry affects European and American imagery poetry，Image Poetry's back has affected China's modern poetry。Chinese and Western poetics affect each other，Acting in each other。The British and American Image School can be transformed after drawing oriental image，Nothing to integrate Oriental image theory into local culture，At the same time, strive to maintain a distinctive ethnic characteristics at the literary level，to realize the modernization of poetry，This is the enlightenment of imagery in Eastern and Western literature.。

　　Misunderstanding and imitation 

Looking at the active image of imagery poetry from 1909 to 1917，The development of the image school reflects the movement of Chinese culture，Pound translation "Huaxia Collection" brings Chinese culture while European and American poets，It also provides ideas and materials for the further development of Western poetry。Chinese classical poetry has gained rebirth in "China Collection"，Even if this rebirth is mixed with "solution" and "deformation"，But it has effectively changed Bet365 app download the modern and American modern poetry，For example, readers' attention to Pound Chinese poetry far exceeds the attention of Pound's original poetry。Whether it is the Image School of the Hugham Leadership，It is still Pound phase of the imagery movement，All reflect the element of "intuitionalism"。This kind of poet thinks，The thoughts expressed through metaphor are extremely similar to Chinese classical poetry。Image as a poem language，Integrate the author’s feelings and specific objects，This combination conveyed to readers' special aesthetic experience。

West to Chinese classical poetry、Aesthetics、The process of philosophical ideology learning and reference is performed through the translation，The translation process of foreign literature originally had great uncertainty and reconstruction。In the early 20th century，Due to technical restrictions and other reasons，communication between Chinese and Western is not convenient，This also brings difficulties for the introduction of Chinese classical literary works。At the same time，Due to Western prejudice and misunderstanding of China，and some writers in order to cater to Western readers' expectations of China，Will misunderstand the original appearance of Chinese culture。Although the literary world is trying to correct this misunderstanding，But the original intention of the realist movement to focus on Chinese literature is to seek further reform and development of Western literature，Therefore, Western literature misunderstand that Chinese culture is inevitable。The misunderstanding of Chinese culture in Western poets is roughly divided into three aspects: intentional misunderstanding、Lack of understanding of Chinese culture and misunderstand、The necessary misunderstandings of readers -based acceptance。Because Bet365 lotto review of these misunderstandings，Western prejudice and hatred for Chinese culture have been continuing，Impact is so far。

　　Localization transformation 

early 20th century，Western literary thought tide was introduced to the country under the propaganda of a group of intellectuals，Promoting the rise and development of Chinese new poems。In these tide of literary and artistic thoughts，Western imagery school plays a very important role。Affected by the domestic social environment，The development of domestic image poetics is mainly reflected in the transformation of text language，This is mainly due to the rise of irrationalism in the early 20th century，Flows to break through the thinking mode of traditional people and the world dual -opposite。The leader of the British and American imagery Pang De was comprehensive influence of the 19th century French symbolism and Chinese classical poetry，Introduce Chinese ancient poetry into the West with its own strength，Promoting the development of Western imagery and poetics。1920s，More and more Chinese scholars are aware of the limitations of Western imagery theory，So they trace back，Inspiration from Chinese classical poetry and Western aesthetic thoughts，Try to use the combination of China and the West through the image theory，Promoting the innovation of poetry theory。Chinese modern poets in the 1930s continued this theoretical consciousness，Promoting the modern transformation of domestic poetic concepts。The scholars of Chinese imagery and poetics in the 1940s are mainly divided into two groups: Ai Qing、The July Poetry School represented by Hu Feng and Tang、The Jiuye Poetry School represented by Yuan Kejia。Ai Qing is a typical representative of the July Poetry School。His outlook on his creative view is mainly reflected in the book "Poetry Theory"。

In the first half of the 20th century，Marxism has spread in China。After Bet365 lotto review the founding of New China，Marxism jumped into the ideological idea dominated by China，Start to comprehensively guide work in various fields in China，Including humanities and social science research。At the same time，A large number of Marx literary theoretical ideas have also poured into China one after another，It has an important impact on my country's modern literary theory。The 1950s，Aestheticist Zhu Guangqian combined with Marxist thought，Starting to correct my original aesthetic thought。By the 1980s，With the boom of reform and opening up sweeping the land of China，Western literary theory and ideology poured into the country。After the 1980s，Under the comprehensive influence of the global cultural environment and national identity，Chinese poetic research has appeared in all flowers、The situation of the hundreds of contention，Research on image and poetics also presents a situation of diversified development。The poetic construction of imagery during this period can be divided into two research routes: affected by the popular Western literary thought at the time，Starting from the philosophical concept of binary opposition，"Image" as a research object of aesthetic psychology，Representatives have Gu Zhaozhao、Wang Yuxiong、Zhang Shiying;，Comprehensive Chinese classical imagery aesthetics and phenomenology resources for investigation and research。Their views are of great significance for the modern transformation research that promotes Chinese classical poetry。

With the increasing frequent cultural exchanges of various nationalities，Chinese and Western imagery theory gradually develops in the direction of diversified integration，This also provides the possibility for the image exchange of Chinese and Western poetics。"Image" communication，Combination of commonality and differences，Aesthetic bet365 live casino games and rational fit，Misunderstanding and imitation interweaving，Coordination of fusion and transformation。The essence of this communication，It is based on human psychological identity and aesthetic cognitive extension of human beings.。

　　(The author is the person in charge of the State Social Science Foundation Project "'Image School' and Chinese Poetics"、Professor of West Language College of Harbin Normal University)